Beyond the Realm of Conscience (TVB, 2009) Thoughts
Many forms of entertainment are judged on the foundation laid by other similar forms of entertainment simply because there has to be a baseline, a scale of sorts. You don’t know how good something is until you’ve seen something worse, just as you wouldn’t know how bad something is until you’ve seen something better. There are exceptions. Certain dramas are so uniquely good, they shouldn’t be compared to anything else. Similarly, obscenely bad dramas don’t deserve to be compared either. Beyond the Realm of Conscience is one of those exceptions and it, unfortunately, falls into the latter category.
I jumped onto the bandwagon back when Beyond first started filming because I firmly believed I would one day witness a glorious, fascinating, poignant, outstanding hybrid of two magnificent hit productions–War and Beauty and Dae Jang Geum. What I failed to remember is that this is TVB. What I failed to notice is Choi Ting Ting. Choi has done her fair share of scriptwriting, some of which include Last One Standing, Forensic Heroes II, Burning Flame II, To Catch the Uncatchable, Slim Chances, Hard Fate, Always Ready, and soon-to-be-aired A Watchdog’s Tale. Most of her scripts are decent and I had enjoyed some of them. However, I overlooked the fact that she wrote The Threshold of a Persona. And guess what? I feel the same indifference for Beyond as I did Persona. Seriously, I don’t get why TVB didn’t pull Cheung Wah Biu (Heart of Greed, Moonlight Resonance, Rosy Business) over to write the script for Beyond? Why? Beyond has everything! Everything!! All but a golden script …
Story
At the beginning, Beyond displayed itself to be a tale about two unrelated “sisters” and their struggles in the palace, emphasizing on how they each deal with obstacles differently. Later down the road, Beyond turned into a boring Tang dynasty false reality show. Maybe the director fell asleep? Because the cameraman basically zoomed in on any big character he could find, as long as he could capture their palatial sufferings. This is one of the biggest problem for Beyond. The focus was lost. The story wasn’t about Sam Ho (Charmaine Sheh) and Kam Ling (Tavia Yeung) anymore. It was about everybody and because of that, it is difficult to see any consistent character growth or feel any sympathy.
Shortcomings
What’s worse, Beyond is so fake. The relationships are downright silly. For all types of media, the common rule is to show, not tell. Forget about that, okay? Skip to a random scene and characters in Beyond will tell you exactly what they’re feeling and what they’re going to do about it. They will continuously remind you of their virtues, mottos, relationships, and lifelong dreams. Sam Ho will never forget to tell you that she lives to “speak good words, do good deeds, and show good will”. Kam Ling will stop at nothing to hold Sam Ho’s hands and tell you that they are good “sisters”. Hin Yeung (Kevin Cheng) will grab any chance to remind you of his marriage vow to Sam Ho. That is how they brainwash you into thinking they had shown you the developments. Don’t fall for it.
Lurking Potential
Honestly, Beyond had a lot of potential. I saw them. But they were never exerted and that’s what frustrates me. The threads tying the four leads Sam Ho, Kam Ling, Hin Yeung, and Li Yi (Moses Chan) together were not strong enough. The sisterhood/rivalry between Sam Ho and Kam Ling should have been the central theme of the story, but it got left in the shadows after episode 10 and only got re-instated around episode 30. The love between Sam Ho and Hin Yeung was lacking and more terrible than that, there was no real love between Kam Ling and Li Yi.
How Sam Ho became a concubine was rather lame as well. If I was writing Beyond, Sam Ho would see the insatiable greed Kam Ling harbors and work her way to become a concubine in order to stop and “save” Kam Ling. Thus, she sacrifices her love with Hin Yeung. That is true friendship and tragedy.
Characters and Performances
Charmaine Sheh as Lau Sam HoSam Ho is an almost godly existence and I highly doubt us humans can relate to her character. For a character like Sam Ho, there isn’t much to do but walk gracefully, smile gently, and shed a few tears. Charmaine, of course, had no problem with any of that. |
Tavia Yeung as Yiu Kam LingKam Ling is supposedly a breakthrough villain role, made just for Tavia. Kam Ling is also the character that changes the most in Beyond, from a maid who makes innocent mistakes to a concubine who schemes, betrays, and attempts to kill her only bosom friend. Her transformations were impressive, but the transitions between each change were poorly executed and incomprehensible, perhaps even nonexistent. This leaves the audience to wonder if Kam Ling was ever a layered character, if she had any good in her to begin with. Therefore, it is hard to pity Kam Ling and justify her actions. This was definitely a different type of role for Tavia and she gave a decent performance. However, it is not her best work and I couldn’t help but think Ada Choi would have been perfect for the role. |
Moses Chan as Li YiAn overall likeable character, Li Yi is clever and respectable. I admired his administrative talents and the unrequited, platonic love he has for Sam Ho. His actor, however, didn’t do him enough justice. I like Moses. I really, really do. He was fantastic in War and Beauty and The Gentle Crackdown, but here, his eyes failed to show the depth of his character’s emotions. I was disappointed. |
Kevin Cheng as Ko Hin YeungHeroic, righteous, loyal, but a painfully dull block of wood. Yes, that’s my description of Hin Yeung. He is such a flat character that it was annoying. He and his love with Sam Ho are two of the most dreadful attempts at imitating Dae Jang Geum. Please, don’t give Kevin a role like this again. Actually, don’t make a character like this again, ever! |
Michelle Yim as Chung Suet HaSuet Ha is stubborn, temperamental, childish, but straightforward. She’s easy to read, but difficult to pacify. I enjoyed her simple and bubbly relationship with Bo Kat Cheung (Ram Tseung). Michelle Yim, as last year’s TV Queen, did a fine job but didn’t stand out. |
Susanna Kwan as Yuen Tsui WanYuen Tsui Wan is an older version of Lau Sam Ho. She only regrets one thing in life and that is her abandoned son, whom she later found outside the palace. Not a challenge at all for Susanna, although I was a bit choked up with some of her costumes. Susanna is too old for the transparent baby blue night gown. |
Selena Li as Man Bo YinBo Yin is a spoiled, rich brat who hates to lose. She is later tamed and grows into a lady fitting to be crowned queen. Her change was abrupt and merely a ploy to further distance the already cracked relationship between Sam Ho and Kam Ling. In other words, Bo Yin is a plot device. Thus, poor Selena did not have much to work with even if she was gorgeous in the costumes and accessories. |
Yoyo Chen as Chin Fei YinFei Yin is the kind that will never rise to the top, never achieve any high ranking position, but she will live a long life. She knows how to pick her master, go with the flow, and sway away from trouble. Her betrayal at the end was predictable but Yoyo delivered a superb performance in that scene. While she stood behind Tavia and the camera wasn’t even on her, I could still see how she was fidgeting in fright using both her body language and her eyes. I’m glad Fala Chen rejected this role. I doubt Fala could have done the same. |
Susan Tse as Empress Dowager KwokNo one could have done as fantastic a job as Susan in this role of the powerful, confident, domineering, yet insecure empress dowager. Her presence was absolute. However, just because Susan gave such a wonderful portrayal does not mean the empress dowager’s actions are justifiable. Protecting herself and her children is an excuse to remain in control, and murdering others to do so is still a sin. |
Lee Kwok Lun as Ma Yuen ChiMa Yuen Chi is the source of all problems in Beyond. You want bright, colorful sunshine and happy-go-lucky days? No way. If you don’t see things his way, he will entertain you with thunder, lightning, earthquakes, and all sorts of disasters. Being the big villain, however, Ma Yuen Chi was not given much depth. His conspiracies were interesting but as a character, I never really knew him. Sure, Lee Kwok Lun was amazing but great acting is not the only ingredient required for solidifying a character. Again, the writing is to blame. |
Overall Enjoyment
From a distance, from the poster and trailers, Beyond appears to be a radiant gem you don’t want to miss. But in reality, it is nothing more than a rock coated with faux gold. Scratch the layer of glimmering gold off and Beyond is nothing but pretty junk I’ll gladly throw at a window of the TVB station. I wasted 33 hours of my life watching viburnum leaves fall to the ground. I hope you won’t foolishly do the same.
My rating for Beyond would have been 1.5 stars if I strictly follow my rating scale. However, up that by 1 star thanks to the grand cast, skillful acting, delightful music, and pleasant cinematography.





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This is such a tl;dr review.
After reading your review, I doubt I want to watch this series, after all I’m not a fan of ancient or period drama. Can you review Born Rich as well?
Hahaha.. the last part shows 3 times photo of Susan!!
@ Prime, thanks for reading! If you’re already not a fan of costume dramas, I highly recommend running away from Beyond. It’s not worth your time unless you are a die-hard fan of one of the leading artists. As for Born Rich, I hope to review it as soon as I finish watching. Probably next week.
@ lizzy, LOL! I was fixing a typo and accidentally pasted an older version of the html code. But then again, Susan is too great, she deserves those (temporary) repeated photos!
The story not that bad. To compare with Moonlight resonance, Beyond got its own way to success. I give the drama 3.5 to 4 instead.
I agree with most of this but if the script was written by Cheung Wah Biu, I don’t know if how it would turn out… maybe another one of those ‘OMG we have so many golden verses to teach you guys that were used before but just not as hit before Lee Si Kei came back’ or ‘Let’s have some climax every episode so people think it is good’
xP
ROFL, EverStar I love your review!! LOLS..i guess I’ll pass on Beyond? i dont want to see flowers falling all the time…lols. but i do want to see why everyone loved Dowager Queen/ Kam Ling….but im still on episode 2….. how much further till we see evil kam ling?
and haha to FBI’s comment. i totally agree. Cheung Wah Biu’s dramas lately have been “CLIMAX CLIMAX CLIMAX” “golden phrases golden phrases golden phrases”.” What was the purpose of the drama…I forgot..but who cares, it’s exciting” sort of feel to it. lOLS…but of his three big ones..i think i like Rosy Business & HOG more than MR.
@ engsamnang, I personally enjoyed Moonlight Resonance more. I thought the story and characters were more consistent. But perhaps you see something in Beyond that I didn’t. It’s always good to read of a differing opinion. Thanks for sharing your thoughts.
@ F.B.I and Lavendar_Bluez …
To answer your question Lav, a lot of people say Kam Ling turned evil in episode 17, after she becomes a concubine. (She becomes one in episode 16.) For me, Kam Ling was already evil starting around episode 7-8. It’s only after she becomes a concubine that she shows her true face to a selected number of other characters. However, moments when Kam Ling totally loses it are in episodes 20 and 32-33. If you only want to watch evil Kam Ling, I recommend those.
In regards to Cheung Wah Biu, I agree that most of his dramas (in recent years) have too many climaxes. I don’t blame him since that’s what the HK audience likes. But I find his scripts to have more consistency and well-developed characters, or at least characters with a solid background and motive. Why I think he would be a better choice for scriptwriter for Beyond is that his scripts have the “feel” grand productions need. If I could pick any writer, I would call on the people who wrote War and Beauty.
Choi Ting Ting and Cheung Wah Biu were the scriptwriters of VOH I and II.
You shouldn’t have been overly generous. The 1.5 was generous enough.
I agree with you. Luckily I only wasted about 25 hours before calling it quits and fast-forwarding episodes 26-33 (which I finished in 2 hours). Lol. Gosh… stupid series with no point and completely illogical. Flashy and showy but that’s it.
The potential was there but too bad. Oh well.
StevenVu – Choi Ting Ting and Cheung Wah Biu were not the writers for VOH I & II. Actually VOH had many different writers and they constantly rotated to keep the series “fresh” (hence some inconsistencies in the plot).
@ MetalAZNWarrior, lol. So you saved 6 hours, eh. I wish I had been that wise. Thanks for clarifying the VOH topic.
Haha, now I feel that I’ve been too generous living it a 3/5. :/
@Annisa: I don’t know why but i got what i expected from it, i want them to had all people in the palace scheme. and that’s it. you know I love it from my heart and as i flavoured to it, i maybe overlook the mistake they got in the series, just like i did to Moonlight resonance.
@Metal: i really wait the review of you to this series, I may be contrast to you as i like it so bad. I already said that i may skipped their mistake they got in the series,because i deeply hook to the series. Just like MR, after i read your review about it, i totally change my mind from love to abit dislike as the mistake is really exist and i really know it there but my heart stop it and love it then. SO maybe your review change my mind as i will rewatch beyond (THe drama i like, i will rewatch two or three times such charm beneath, love is beautiful, rosy business). Maybe after i watch it again, i may hate it or something like you. BYe Bye, as now i still love it.
I am sorry I gave the incorrect information.
Awesome review!
I completely agree with you about the ‘shortcomings’. COMPLETELY!
About the ‘telling instead of showing’ and constant ‘reminders’ of what they plan to do.. TVB has been doing that a lot lately
Also felt that Hin Yeung was almost unnecessary in the series, other than being in a love relationship with Sam Ho.
Haven’t finished watching it yet (don’t feel like finishing it), but i feel it’s over-promoted. I somehow have more negative things than positive things to say about the series.
@ Liling, well, opinions vary. You might have enjoyed it a teensy bit more than I did.
@ StevenVu, don’t mind it.
Just watched this, it was so good =D
Rosy business was good too =p